Saboteur

Written by Tina Amini on 12/8/2009 for PS3  

The Saboteur is the story of Sean Devlin,who is roughly based on William Charles Frederick Grover-Williams. Sean Devlin, the less mouthful of a name for our protagonist in this WWII sandbox game, becomes involved with the French Resistance in Paris. Initially, the only obligation he feels towards the Special Operations Executive and French Resistance is a personal vendetta against a particular Nazi officer who brutally murdered his friend. Drinking and smoking his way through Paris from what can be guessed as his form of mourning, he is finally picked up by Resistance leader Luc Gaudin, and recruited for what begins your journey to help revive Paris and inspire an uprising against the Nazis.

We have seen a plethora of video games tackle the WWII genre, but I never felt like the theme was more fitting than in this GTA sandbox style. Your quests typically take you along what begins to feel like a familiar path. There’s a general theme of planting explosives to hinder the Nazi occupation in what ever way you can. Being part of what starts out as a small organization to battle the Nazis, you make use of what weaponry you have in your disposal. Namely, dynamite. Although the quests seem simple and perhaps even repetitive at times, this was the most logical and more realistic approach to take. All of the leaders and members of the Resistance could use a helping hand in the time of war to plant an explosive or two. The sandbox style lets you decide which are more important to venture towards first, and how to lend your help out. Driving around Paris in my stolen vehicle and seeing all the red Nazi flags hanging at every lamppost and street corner, I thought to myself: “What WOULD someone do in that situation?” The short answer? Blow things up.


Your quests are meant to inspire residents of France to stand up against the Nazis. As a regular citizen, perhaps with a few tricks up your sleeve, it’s most logical and effective to create destruction such that the dilapidation of Nazi bases becomes more apparent than their strength. The game acknowledges your efforts throughout the gameplay by splashing color to what starts as an entirely black and white France. As you progress, more of France will be represented in full color, indicating which regions of France are more likely to support your cause and stand up against the Nazis. This was a great aesthetical addition on the part of Pandemic to replicate the ideas of desperation alongside what hope you can initiate.

Completing said missions can be done in one of two ways: (1) disguising yourself as a Nazi (by “borrowing” one of the soldiers’ uniforms) and finding the more tactical route to navigating your way through their bases, or (2) blowing up everything and everyone in sight with guns blazing. Avoiding the fire blasts might seem like the easier route, but it’s actually more difficult to go about sneaking. Your disguise will only hold up for a certain distance from the Nazis scattered around the base area, and running or doing other suspicious things like climbing will get you exposed. Small circular yellow areas on your map will indicate “suspicion zones,” and you can forget about wandering around innocently if you’re caught in there. Setting off alarms left and right, and hastily trying to make it outside the red alarm zone on your map (or scrambling to find a hiding spot) might get tiring. This makes brandishing your gun around and provoking a gunfight while cackling maniacally a hell of a lot more appealing than maneuvering your way through these obstacles. Generally, I stuck to sneaking in halfway until I realized the mass of Nazis lined up ahead was just begging for a grenade in their faces. And grenade they got. Still, having the option to tackle my mission in the way I preferred was definitely appreciated. You can make The Saboteur as violent as you want, or as quiet as you like.Typical to the sandbox genre, some quests are not necessary to complete the game, but they definitely add to the playtime and flesh out the game. Even after completing your main missions, and after the credits roll, you’re launched back into Paris to continue with your Revolution against the Nazi force occupying France.

Along the way, you’ll be able to gather a bigger collection of stolen vehicles and purchased armory. You can buy your arms on the black market, as well as upgrades to your weapons, maps, your strike calls and the revolution members (in the sense of more health, ammo, warm bodies, etc), and so on. Personally, I stuck to my Tommy gun and pistol the whole way down. My grenades, too, of course.


The other way of getting additinal abilities and upgrades comes from what you might call “achievements with a purpose”. Officially, the game calls them “perks.” Performing certain actions to get these perks will result in various upgrades and will unlock various abilities: upgrades to your melee attacks (if you decide to brawl over gunfight).  You can also unlock weaponry, weapon advancements, unlock the getaway strike team and getaway car, and many, many others.

The one thing that made The Saboteur feel less smooth than it could have been was the controls. Especially when climbing or hitting an action button, the response wasn’t where I would have liked it to be. Part of my problem with the controls might also be due to how cluttered they are. For instance, to activate your various modes of fighting (brawl, sneaking) you have to hit either the left trigger or left button (PS3 controls). Then a combination of the d-pad buttons while still hitting the button/trigger will perform a specific action within that mode. To fire a weapon, you’ll have to equip your gun of choice and then use the left button to aim and the right button to fire. Perhaps it’s my hastiness when there’s a showdown with the Nazis, but mixing up the buttons always blew my cover and had me outrunning the dreadful red zone on my map.

Playing as Sean Devlin is a fun experience. He encompasses what I might call grungy charm: the complete opposite of a gentleman, but too witty to hold it against him. Being that he’s also a racecar driver, you get to partake in some races with some swanky cars. This helps for practice on the many getaways that you’ll undoubtedly be giving heed to.


The supporting characters to this WWII story also have their own personalities to keep the game genuinely interesting. They range from the older, wiser father figure to the promiscuous and deadly female. Not all characters will be likeable, but, for me, that creates a good balance. Sean also has a different relationship reserved for each character that felt natural and potentially realistic to how human beings would normally interact (if such a thing exists). On a sadder note, Pandemic really blew it with the love interests in the game with a half-assed ending. There were hints and nudges all throughout the storyline, and being brought to what felt like a forced resolution to Sean’s love qualms was a total let down. There was such a buildup in storyline that I was expecting a heartfelt ending to tie it into.

Beside the “getting the girl” part of the game, the storyline fit well within The Saboteur and the WWII theme. Rather than a typical “kill all Nazis” type of WWII game where the storyline is thrown in for good measure, The Saboteur took the theme and created something that felt natural and organic.