Written by Cyril Lachel on 1/22/2013 for Vita  
More On: Orgarhythm
Orgarhythm is a maddening, often frustrating experience that left me wondering what I was doing wrong. Its tutorials don't adequately prepare you for the real missions and the bosses tend to be cheap to the point of unfair. And yet, despite all of the anger I had while playing Orgarhythm, it's easy to see how this game could have been done right. It would only take a few tweaks to turn this into one of the most exciting PS Vita games of the year.

Never heard of Orgarhythm? Don't feel bad, you're not alone. This Vita exclusive snuck onto the PlayStation Network at the height of the holiday season. To make matters worse, it's not a game that lends itself well to short descriptions and simple review quotes. It also isn't very pretty, looking more like a PSP game than something you would buy on Sony's latest handheld.

As the title suggests, it's a rhythm game that mixes in some light real-time strategy elements. The closest analog is another portable series, the delightful Patapon franchise. You issue commands through a series of beats, which means that it's important keep the rhythm going to pay close attention to the stage's music. This is where the similarities end. Orgarhythm tinkers with the rules in some substantial (and problematic) ways.

You play the God of Light, a slow-moving deity who commands three types of eager followers. Your subjects are color coded, making it easy to see that red is for fire, blue is for water and yellow is for earth. This is an elaborate game of Rock-Paper-Scissors, with water defeating fire, fire scorching earth and earth overcoming water. And just in case you forget that, a guide is permanently lodged at the top right of the screen.

Instead of pounding out button combinations, here you hit the screen three times to issue commands. It's actually very simple. Your first tap is to start the action. From there you tap which of the three colors you want to command. Finally, you pick one of several attack variations (fists, arrows, catapult, etc.). But even after all that, you're still not done. Now that you know who is going to attack and how, it's time to draw a line giving your soldiers a path to follow.

The trick is to tap these commands on the precise beat. Doing this will level your troops up and make the fight a whole lot easier. But don't get too cocky, because it's easy to fall from level 5 back down to 1. Eventually you'll figure out that quicker taps lead to speedier upgrades, so there is some skill involved in the game's unique combat system. There are also combos which play into how many experience points you get at the end of each stage. Earn enough points and you'll unlock new add-on powers, giving the God of Light more energy, strength, defense, etc.

The God of Light is on a fixed path that never changes. In that sense, Orgarhythm feels a lot like an on-rail shooter. Our hero slowly makes his way past a bunch of enemies until coming face to face with the boss. These large monsters are the highlight of the game, finally giving players something new to look at. Unfortunately, the boss difficulty swings wildly and without warning. The first couple bosses aren't too bad, but there are a few that were cheap to the point of frustration. It's hard to believe the amount of hair pulling I did over the criminally unfair Holy Oratorio boss.

As intriguing as these bosses are, they also highlight one of the major problems with Orgarhythm. For whatever reason, this game doesn't believe in checkpoints. Dying in a stage (even at the very end) results in you retrying the map from the very start. It's on the third or fourth attempt that you realize just how painfully slow the God of Light is. I've seen paint dry faster than this guy. He doesn't care that he's being pelted by rocks and arrows; he'll take his sweet time strolling through these lengthy stages. It's at this point where everything starts to break down.

Even if you can get past the slow pace, you're still left with a group of soldiers that are the very definition of useless. You'll draw paths they won't follow, they'll ignore enemies that are a foot away and they get a little confused when using the catapult. It doesn't help that the tutorial stages do an awful job of preparing the player for what combat is really like. I was stunned by how chaotic and unforgiving Orgarhythm was right from the get-go. 

Instead of easing the player into new ideas, this Vita game simply ups the difficulty to an unfair level with each passing stage. I found myself grinding through the stages I had memorized just to earn enough points to access more helpful attributes. While this helped get me through the game, Orgarhythm's stages aren't meant to be experienced multiple times. They always play out the same way, making the whole thing a little too repetitive.

Even when I was cursing the frustrating levels, I always enjoyed the music. In fact, I would say that the electronica-themed tunes are the best part of Orgarhythm. Many of them start out calm, but quickly ramp up with intensity. Often they were the only good thing I could grab onto while grinding through stages.

The same cannot be said about the visuals. It's probably unfair to call the graphics PSP-quality, but they certainly aren't the high definition visuals Sony promised. The characters are tiny and things can get a little too chaotic for the game's own good. This is especially bad in the boss fights, where the fixed camera will zoom out to give you an image of the whole battlefield. It's easy to miss deadly enemies. Worse yet, many times the enemies will blend in with your impossible-to-see troops. This game is in desperate need of a zoom button.

Some of these visual problems wouldn't be as pronounced if your soldiers were a little more useful. My troops should be able to attack on their own, especially when there's a nasty bad guy attacking them from the middle. I'm fine micromanaging my squad, but some things are common sense. Couple that with the AI's path finding problem and it's easy for a bad scenario to quickly spiral out of control.

For as expensive as it is, I was a little surprised by Orgarhythm's paltry length. Even if you do a lot of grinding, most players will be able to get through the entire adventure in a handful of hours. You may want to go back through and earn higher scores on the previous stages. There's also two different multiplayer modes -- versus and co-op. Unfortunately I was unable to test either of these out, but I doubt it would have changed my opinion of the busted gameplay.

Orgarhythm is original enough to make the poor execution genuinely disappointing. It's easy to see how a few changes here and there would have made a world of difference. But alas, those will have to wait for a sequel (if Acquire ever decides to revisit this universe). As it is, Orgarhythm is a good concept that doesn't quite stick the landing. There just isn't enough here to warrant the surprisingly high price point.
Orgarhythm is overflowing with interesting ideas that never quite come together. It's a real-time strategy game that steals mechanics from the rhythm genre. Too bad the gameplay is busted and the single-player story is so short. With a little tweaking (and a different price point), Orgarhythm could have been a real sleeper hit on the PS Vita!

Rating: 7 Average

* The product in this article was sent to us by the developer/company.

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About Author

It's questionable how accurate this is, but this is all that's known about Cyril Lachel: A struggling writer by trade, Cyril has been living off a diet of bad games, and a highly suspect amount of propaganda. Highly cynical, Cyril has taken to question what companies say and do, falling ever further into a form of delusional madness. With the help of quality games, and some greener pastures on the horizon, this back-to-basics newsman has returned to provide news so early in the morning that only insomniacs are awake.
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